Saturday, April 30, 2011

Power

A smile
breaking, like a wave,
like a whitecap on a windblown sea
it washes her face
in loose supremacy.
It creates a diversion,
turning heads on the street -
creator of an accident.
Creates the accident and picks it back up.
Sacrifices are made to this smile,
sacrifices of riches,
of intellect.
A sacrifice of uncommon blood
made to that innocently demanding smile.
It knows each passage,
each gateway,
yet it hovers
above reproof.
Welcoming every reason as its intention,
it wordlessly sweeps away blame,
casting it off 
like a diadem in the sand.
It reaches for
and touches.
It commands and is given.
A surrender of innocence,
a venture for elegance, 
an attempt
to meet the standard of a bar that is constantly rising.
The smile is a luxury,
casually sumptuous.
The crown jewels in the black market,
Circe perusing the supermarket
casting spells upon the eggplants,
the brussel sprouts,
the pears.
This smile. . .
this smile.
Hers.

Thursday, April 28, 2011

Plush

I love words. Obsessively so.


I love words and how they taste and feel on my tongue; spicy, sick-y sweet, delicate, strong. Rich and creamy or barely-there, cotton candy-like, or dark and bitter like black coffee.  Decadent.  


Words like myopia and onomatopoeia. 


honeymoon


wonton


crumple


ooze.


dusk


voluptuous


cobalt


deluge.


Some people think I fill my vocabulary with big, ridiculous words whose meanings I barely know, to sound smart and complicated.  But really, I just love how they feel in my mouth; squishing down in every crevice, like a tiny cream puff, eaten quickly, yet savored.  Just as yummy. Just as satisfying.


delish.

Under My Hair

The squares 
a round
the edge of the room
They are boxes
They are squares
They shine.
The room is dark
the darkness of a bright light
smell the air
where it cuts you
in the back of your head.
Smell it.
It hurts.
It is a living hurt.
The squares
a round
have grown
since I’ve seen them last
I’ve seen them last
and last.
Invincible.
Like a bird.
And inside the box
get inside the box
too big for the box
with a bird 
on your head
a bird without wings
on your head.
Trying to fly.
Frozen movement
but the box is still there
and you are still there
with a bird without wings 
trying to fly
clawing into your head
through the fog
ripping it back
tearing it apart
the ultimate frustration
refreshing
rip it off 
rip it off
it’s over
and we’ve gotten no further
today.

Encounter In The Bayou

Tuesday was a dream as indistinct as a mirage and its night was a lonely poem of love.  The yellow fog swirled around the windows of bus 237 and oozed its way into the corners of my evening.     The day had been liquid heat that by ten pm was evaporating into a thick atmosphere.
The seven other passengers scattered unsociably through the bus dozed restlessly, but the profoundity of the night weighed heavily down, forcing unwanted wakefulness upon me.  While waiting for the bus to drink its fill at an isolated gas station, I saw an older woman sitting alone on the tar, leaning back against the station’s small convenience store.  
As she boarded the bus, her lustrous eyes met mine with the kind of unabashed gaze that is rare between strangers, and I had the distinct impression that I’d seen them before.   Her face was like an ember still glowing but only a memory of the fire it once burned.     
Ignoring the many empty seats around the bus, she sat down beside me, pulled off her hat and whispered, “Hello there.”
“Hey,” I replied, still staring at her unexplainably familiar face.  She adjusted her bag and tried in vain to smooth her waft of white hair before she noticed me watching her. 
“Yes, dear?” she asked, not unkindly.
My conviction of recognition was so strong I failed to feel self-conscious of the fact that she caught me staring. “I’m sorry, it’s just. . .you look so familiar,” I admitted. “I’m not sure why I think that.”  She nodded thoughtfully and said, 
“You’re not the only one who has noticed, but there haven’t been many.”
“Noticed what?” I asked.  She smiled.  
“You thought you’d seen me before, and you’re quite right.  In pictures, I mean.”  Noticing my expression, the woman laughed and patted my arm, “Don’t worry, I’m not a criminal.”
“Well, who are you?” I asked, still curious.
“I didn’t crash in the Pacific like they said.  Nor did I land on an island,” she stopped.  “I can trust you, my dear, can’t I?  Secrets are no good when everyone knows.”
I nodded.  “Who do I have to tell?”  I said, my voice unsteady.
“Right.  I thought so.  That’s why I sat here.  My name is Amelia.”
“You- you mean. . .like. . .” I stammered.  She carried on, ignoring me.  
“Oh I know, I know, it’s not a good name for an old lady like me, but I make the best of it.”
“Yes, but, what’s the rest?” I asked again, impatient as ever.
“You mean, who am I besides a crazy old lady named Amelia?  Well, I used to be a crazy, young lady named Amelia.  I loved the way they cheered and called out my name.  They loved me,” her voice was faraway, “they loved me.  But I left them, I didn’t tell the truth.  I thought I was doing something great and good.  I’m not sure I’d make that decision again.”
“Amelia Earhart?” I whispered.
“Yes. Well, used to be anyway.  It’s been Amelia Weston since 1937 though.  I changed my name to become an American spy.  Roosevelt asked me himself.  The whole thing was such a  secret that even I didn’t know all of what was going on.  I don’t think it was the best way to go about it, making a woman just disappear altogether.  But with all the turmoil in the world, at the time it just seemed terribly exciting.”
She went on telling me about her life and escapades, gesticulating in the air with her small, knotted hands with a piquant, undaunted energy unusual in a woman of her age.  As tired as the old lady had appeared when she first boarded, reliving her exotic past adventures seemed to reanimate her and I listened, rapt, with the feeling of a dream surrounding me.  Since my childhood, I’d been fascinated by the story of Amelia Earhart, the mystery of it, like she’d planned it that way, knowing everyone wouldn’t understand her.  The same way I knew my family didn’t understand me and my own motivations for leaving.  
I sat there quietly taking in what she said.  I don’t know why I trusted her so completely, but I did.  Something about her - something - told me I could.  
Early in the morning she finally nodded off and I must have followed suit, because when I opened my eyes the sun shone in the window and the old woman was gone.  The bus was pulling away from a rest stop.  Out the window I saw her standing alone beside the gray building, wind blowing her white hair in a halo around her head.

This Noble Addiction

Even now, the flavor of you 
remains 
on the back of my tongue. 
Your bitterness, like that in the wake 
of the last swallow  
of a dark wine; 
after the saccharine intoxication 
has worn away. 
Though the needle is gone,
the sweat of the craving
is a long time waning.
Even then, I wondered
when will it be enough?
How can I die any more and still
live?
But there the questions stopped
for it was already
too late
for answers.
And when I woke up
it was without my lungs,
unable to breathe.
The next day,
my bones.
My nerves.
And so on.
The stench of decomposition seeping
out my pores.
The fumes, the slime
I still tried to hide.
Even after tomorrow’s tomorrow,
when the cogs of tragedy’s
time
have lost the oil,
the moisture of my temple;
when they have tarnished and lie 
forgotten
under the sofa,
These scars must show.

Writer's Ramble

          Most of the time, I love being a writer.  I love the energy of brainstorming on a power surge, I love discovering a new piece as I write it, I love the satisfaction of a finished work and the runner's high feeling of expressing on paper an exact feeling or moment as it exists in my head.  I love being woken up in the middle of the night, my head raging with the inspiration possessing it.  I love words.

          But there are times it frustrates me, too.  Brain bombardment, for example.  Something that can be, (and often is), a great gift, but it also serves as a curse at times.  When I get so overwhelmed with ideas that I can't get them out quick enough and then something is always missing even though I don't know what it is.

         And then there are those times (luckily gradually becoming more infrequent) when a great idea is almost there, almost there, but I can't quite make it out.  I can't quite say just what I mean to say.  (Yes, Mr. Prufrock, it is impossible to say just what I mean.)  The ideas and thoughts are not the issue: no shortage there.  But the excreting of the bubbles in my brain and translating them into solid items - from cerebral matter to words on paper - that is where I grow feeble.  I feel like an old person, and old criminal, writing a memoir, trying to explain.  But where to begin?  The difficulty is what to say to create not just a story but an experience, and to call up emotions from the dead and bring them again to the place where they once burned so feverishly.

Wednesday, April 27, 2011

For The Way The Light Touches The Ends Of Your Hair, I'll Be Glad I Never Knew You

         She is happy to be alone.  She looks out the window.  The earth rushes by like mixing paint.  Like flying through the jungle without hitting anything.  It all moves away.  I’ll only write to myself and I’ll never call, she thinks.  She’s never felt this way.  She yawns, rushing a high to her brain. She looks around. 
He is English.  He reads a newspaper in Italian.  His mind is clear, sharp, the cloth over it has been removed.  He removed it himself.  He wants to stick his head out the window and feel it all tearing away. He smells something.  Something bare and potent.  He looks around.  Their eyes meet.
The train is nearly empty, for it is late.  She walks across the aisle and sits by him.  She smiles.  “What are you reading?” her voice is soft and low.  The skin on his back shivers deliciously.
The last two hours to Istanbul feel like two minutes as they talk like lovers of a past life.  They don’t know where they’re going, and they aren’t in any hurry to get there.  In the empty station, they wander.  Purse draped over her shoulder, newspaper under his arm.  They aren’t holding and they won’t be held.
He walks sedately; she nearly skips.  The streets of Istanbul are beginning to light up in the early morning hours.  People start to emerge from their nightly hibernation.  A man, with a red tie, pushes past them, talking anxiously on his phone.  His life is changing.  The man and the woman talk as they walk.  She loves thunderstorms and clover and goose down blankets.  Conversations about love and art.  He knows that souls are blue and that only the mute can speak.  Philosophy.  Secretly, he thinks about philosophy.
There is a doorway.  With a purple cloth draped about the frame.  She pulls him inside.  A small, cold coin is given to the woman there.  In the third room, there is a bed.  They lay on top of it.  She puts her head on his chest.  He relaxes into her and they sleep.  
When the shadows of the day are least, there is a bell.  Its tolling, metallic melody awakens the sleepers. He sits up and brushes her dark, perfectly matted hair out of her eyes and smiles; she smiles back.  She pats down her skirt and reties her boots; yanks up her socks.  He winds his scarf around his long neck and follows her out.
There is a long bridge.  The sky is gray and the tea burns her tongue.  They walk and hold hands all the way across. 
“I’ve never been so easy with anyone,” she tells him.
“Something is different.  What’s wrong with the world makes this right,” he says.
They keep walking.  Slumped against a building, head in his hands, is the man with the red tie.  He looks up and their eyes meet.  Through the pain, there is relief.  She smiles at him and there is hope.  They keep walking.
“It’s funny how things don’t work out,” she says.
“Sometimes it’s lovely,” he replies.

Alone But Not Lonely

Though it doesn’t belong to me, this place is my own.  I am known for my distaste for the wilderness, but secretly, it’s where I continually return to to hide away.  No matter how dark or overwhelming my life becomes, I can come here and always find sanctuary. I don’t come often - I even put it off, denying the call - but eventually I can’t stay away any longer.  Each time I visit, the place feels fresh, like a new discovery, but so comforting and familiar too, the way it knows me and I don’t have to pretend.  It is here I smile and laugh alone, for the pure, uncontainable joy of living. And it is here that I lament and cry without inhibition for an acute and nameless pain.  This place is the unpasteurized cry of viva la vida, full of celebration and sorrow, overflowing with raw emotion.  It is a place I find peace, yes, but it is the place I can let it all go and dance like a wild child to the ceaseless beat of repressed energy, pulsing from the core of the earth.
I am cold.  The fog is rolling in. It shrouds the horizon, blending with the snow, walling me in.  The fog is in my eyes, I blink.  It’s in my heart, I double over.  I groan.  I’m not sure why I came.  Like a deserted apartment, the tenants are gone, and the sunlight with them.  Just this watery dust left in their wake.  I am alone.  I am all alone. Except. . . no. I am alone.  I am alone with myself.  With myselves.  The wind blows gently, nudging my bangs into my eyes, lifting the hair on the back of my neck.  It is soft, it reassures me and I exhale.  But the wind spreads itself further, layers upon layers, infused with my mind.  The wind is a voice swarmed with a thousand voices.  My voices. They make themselves known without my consent.  There are no strangers here, only the strangeness of my cryptic thoughts invading a place they should belong.  The eviction notice I nailed to my forehead has gone unheeded and the landlord is drowning in a barrel upstairs.

Dusk

Like something ancient
and protected,
a myth,
a legend,
a hushed promise
sworn in secrecy
sealed with blood;
hieroglyphics
of an
untold
holocaust;
the nights templar,
keeping the secrets
from the secret
keepers;
of sheets,
stained and torn;
the apple of most
russet -
of whitest flesh,
found by lovers
writhing
and unconfessed;
an identity painted in lead
burns a geisha’s neck
and she sells herself
to an arabian in
taboo parley.

In this, 
a full moon 
shines out
from above a cloud cover -
a full moon
tells tales
of a deranged woman;
of werewolves
chomping at the bit
doctoral by day,
diabolic by night;
of a glass dome
holding the spell
of savagery
for ten thousand years.
The moon repeats 
itself,
bites its lip
bites the apple
bites her neck
bites the bullet
and splinters the sky
ricocheting with light
like fireworks
the first time I lied
and denied
her love
for him.